ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

tom dazing is an upcoming artist from brussels who has released on mb selektions, heimatmelodie, coincidence, veryverywrongindeed and toysforboys already and with his new ep >black magic< releases his debut on trapez. tom has a powerful production technique and a cool old school appeal which he fuses with modern sound design. his new release features >divulge< and >cable strap< two peak time techno trax with a heavy 303 bassline that will rock all big floors. >divulge< the a-side is destined to be a berghain hit. the track is a monster. its attitude is down to earth... keeps it simple but effective. >cable strap< on the flipside is a new modern version of music that we believe used to be the post chicago sound manifested by robert armani and friends. >cable strap< is a super cool heavy rocker with a siren sound that will turn clubs upside down, joined by delicate use of 303 basslines. >temper< the digital bonus track has more of an atmospheric deep feeling to it! tom has been voted in belgium in the top 10 chart of the best national producers in 2007 and 2008 and was voted into the to chart top 10 national live acts

deadmau5 returns once again to his own mau5trap label with two huge tracks catbread & word problems. catbread is a huge mau5 track with trademark drums and a huge, sick bassline that has to be heard loud. great melodies and harmonics make this a definite future mau5 classic. word problems has a real classic chicago vibe will deep acid undertones and bumpy rhythms. this is the darker side of the mau5

very beautiful three track 12inch here. the a side has a remix from an 18 minute plus track called >mi amor<, written by a.iglesias, and remixed by e.petrovich - think manuel gottsching 2008.. on the flip, theres this techno-jazz cut from 1995 called >in berlin< , written and produced by a. bucci and jimi tenor, and here edited by u . schmidt, followed by a remix from >seltsam.com<, written & produced by the costumers and again remixed by e.petrovich. a loose percussive technoid ride with groomy bassline..

limited nice price action !
- deus ex machina is a snarling, tension-filled track. pacey beats, drawn out builds and rolling snares all combine to provide the perfect footing for the rolling bassline to do its damage. this is a track to set alight the harder, darker sets. que loucura de som (that crazy sound) has a rolling, heads-down vibe with plenty of techno punch. classic sounding warm stabs provide the main hook to carry things along to a trademark mojo twisted breakdown with distorted sirens spinning things out

giggle riddim stands out in the bassline scene as one of the biggest tunes of the year. piddy py is a master of the signature northern style with his ghoulish bell tower leads and extra terrestrial bass. combined with giggles wind up kicks that bully dancefloors into submission and the terrifying baby cackles that give the riddim its name, piddys arsenal is unstoppable. utter havoc ensues with every drop. the title tyrack has already played by the likes of toddla t, sinden, herve, hudson mohawke, rustie, drop the lime, plus bassline heavyweights dj q, rossi b & luca and too many more to mention...

eine hypnotische bassline garniert mit leicht köchelnden acid geblubber führt uns ins zentrum von techno! incl gui boratto remix, reminds us of steve bugs legendary loverboy! support von stephan bodzin, perc, tobi neumann, mihalis safras, jeff samuel, superpitcher, gabriel ananda

sonic, one of the busiest german house-djs, teams up with multi-talent taste t for the 2nd time on amused records. on >eighty eight< they express their musicality by using acoustic sounds in an electronic base frame. a piano plays the leading part and gives the track its name with regard to the 88 keys of this instrument. once heard you will not get this melody out of your head! on the flip the stereodudes add a stronger drumming and a powerful bassline that kicks ass!

new year, new sounds. we are proud to release our debut ep under concorde club recordings with very special tracks by highly talanted newcomers microtune & takter and acidfacotry plus a great remix by oscar. on this release you find four melodic, danceable tracks, minimal, technoid and deep - exactely what it needs to be played on a packed dancefloor. this special music has its own stlye and people freak out celebrating great parties with great stuff. skytrain gives you the feeling of a long never ending night with those perfect moments you really like to remember. pulsating beats and a catchy melody in the remix also makes you wanna dance. debajo del sol has its own moving spirit. long melodies, typical for acidfactory, and an unconventionally bassline. phat! the remix by oscar, known as label owner of lordag, karateklub etc, completes this record and pushes really forward...

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

here comes part 2 of the tuxedo band from livio & roby. grand final evolved from a co-operation with george g. these guys really know how to work the crowd. truly a sure shot. in amonte is a deep and monotone track with a funky bassline and constantly changing percussive elements as well as bells and guitars which define the melodic theme. if the first part was right up your alley the second part will leave you flabbergasted. a simply huge release

buenos aires cali based label drops release 4! feat brooklyns prime purveyor of cumbia, dancehall, bassline, hip hop & electro on the a, dutch bass heavy explorer sonido del principe on the b.

re-release! famous german dj and producer - who is responsible for mass hysteria wherever he plays - with a cheeky cut-up edit of a track by the most hyped new hip-hop artist driven by a hypnotic accoustic guitar loop, freeked with p-funkish vocoder vocals and backed by a dry bassdrum. on the b-sides he flips a vocal by a eccentric lo-fi soul artist - who sang the hook of the biggest hit by the world’s best hip-hop band - and mashes it up with a nasty distroted bassline and straigt up electro beats. madness

with his new maxi on cocoon, guy gerber, our man for the big emotional moments on the dancefloor, will make our eyes shine bright in christmas anticipation. after releases for his own label supplement facts, the club hits >sea of sand<, >belly dancing< and not to forget, his album debut >late bloomers<, the tel-aviv-based gerber could be found rightly in top positions in many newcomer listings in the past year. 2008 was a little more calm for him, but with >timing<, being just in time for the final, he again sets new standards in linking harmony with a hedonistic state of emergency. while >timing< pleases us like a nocturnal-hypnotic romance in between a disco bassline, >age of love< flair and winterly sleigh bells, >guilty pleasures< takes back this playful love of details to the benefit of a tropical-dense percussive dub, however without appearing less mandatory on the dancefloor. consequently, gerber will be playing together with sven väth at christmas eve in the cocoonclub frankfurt

die rollende bassline groovt bis über beide ohren und zeigt, dass thomas muller und okain (handycraft) trotz ihres jugendlichen alters wissen wo jack das wasser holt. die kooperation der beiden franzosen schreit geradezu nach einer fortsetzung. be prepared

big support from: gregor tresher, loco dice, sebo k, nick curly, 2000andone, mirko loco and agnes.... tsuba starts 2009 with a bang with the first 12inch release on the label from rising star okain. having debuted on tsuba in july 2008 on the digital only >tsuba samurai ep<, sam okain steps up with his first full release for the label and its a big one. the original of >717< is deep tech house with a killer groove and a warm tripped out riff - a great combination of light and dark touches which results in an edgy but very accessible track. for the remix djulz ups the tempo and adds a splash of techno, spine tingling keys and jacking bassline. loco dice featured the mix on his recent radio 1 essential mix. the deep house of >slow ride< completes an ep of the highest quality. + huge djulz remix.

complot records is proud to present hanssens debut ep! with complot09 we finally get to taste delicious music from hanssen aka bob hansen (half of jacob london). we also have an exciting remix from complot co-founder dafluke. >velvet deer decals< possesses a groove that will keep you going on and on and on... hanssens skillful use of deep filtered harmonies will take you back to that good old late 90s house vibe. the beats and stabs are visceral, dense and powerful with filtered vocal cuts that sprinkle the track with sweetness. on the b side, >wtfstep< brings the funk to your doorstep! we are talking very bouncy and punchy dancefloor goodness with a contagiously dark bassline ... ..real party music! finally, theres no question dafluke expanded on his bag of tricks for his remix of >velvet deer decals<. this dissonant loopy groove is laced with other-worldly sound fx to shock and excite your ears... with a beat like a taser jolt to your feet!ken ishii : wow, interesting and fresh music here! b1 and b2 rock. / pheek : charted the dafluke remix, huge support! / mannel : i cant find the words, its perfect! the wftstep is my favorit! thanks! all the best! / tom baker : yeah loving the dafluke remix and party vibe in wftstep! nice one ! mika kalio (opossum / komplex audio)deep, dark, dubby, delcious..will be played in the next opossum radio show - and in the discotheque ass well ...

you ve heard everyone, from timmy regisford to danny krivit, playing this remix of jazz funk legend roy ayers all summer and now its finally available. the ingredients are the usual ones: organ ride, convincing synths and solid bassline.

deadmau5 is back with huge smash hit >ghosts n stuff< and the minimal >peddler of misery<. ghosts n stuff was written especially for deadmau5s essential selection live from the warehouse project manchester. a new musical direction for the mau5, ghosts n stuff is a gigantic slab of french house. big organs and synths collide alongside a killer bassline and tight percussion. ghosts n stuff looks like being one of mau5s biggest hits to date. peddler of misery is the complete opposite to ghosts n stuff with its minimal arrangement and trippy double beat. the percussion is delayed and crazy, helping to create real messed up dancefloor moments!

amazing disco boogie holy grail was released on tim mabins own sapphire imprint back in 1984. because of the fact that tim was forced to work with a limited budget, he only could press up 500 copies, just a few copies were exported out of the country. this became a real crate diggers treasure, changing hands for $100 and more. we are really proud to offer you this official re-issue. jimmy jam is a true dance floor burner. solid lynn drum machine beats, fat grooving minimoog bassline, crazy synth work and amazing vocals make this tune a must have! the instrumental is included too. floorfiller

nach einer kurzen pause meldet sich stereofuse eindrucksvoll mit zwei tracks auf herz ist trumpf zurück. der titel fused transportiert dabei einen lockeren groove, inklusive markanter clap und geklöppel. anstatt eines simplen breaks arbeitet er aber eine von der bassline getragene melodie heraus, die assoziationen an diverse amerikanische vorbilder hervorruft. grosses kino, dem auf der rückseite mit der groovigen nummer cherry noch ein solides dj tool beiwohnt

scaring us all the way from sofia, bulgeria spatula city is proud to present to you the technologically advanced technique of the one like the kink. snapping off his first spatula city release with three dancefloor scorchers, this record is not to be missed. jigga is just a straight up bassline balancing act that just drives. on dat funk and check he collaborates with eclectic vocal stylings of austin, txs j.a.m.o.n. both tunes are jump up flex on the floor devastators. kinks techy vibe and robotlike control over j.a.m.o.n.s vocals creates a sound unlike any other artist in the scene. his tech savvy jack infused style cannot be compared to. just when you think one of these tunes is going off the deep end, it turns around and jacks you right in the face! and...just for funks we had kink add two accapella tools which are super easy to mix and sound great over any jackin beats.

incl solomun remix !! as we venture into the future of house music, we find certain styles taking definitive direction. one of europe’s hottest producers, tiger stripes, has been at the helm and leader of tech & electronic dance music. he lays a new foundation over >voyage<, a recent release found on his safari lp released in 2007. two new re-interpretations, solomun main and lost version of this single will be released with more of his signature sound, pumping drums, jabbing synths, rolling over a bouncing bassline with string flows atop breathing new life into an already vibrant track. tune in and hear what we mean.

after w & p hugg aka hugo giner from valencia had scored a veritable underground hit with >sleep scott heron< the last release on his higly collectable cornuta imprint and after an excellent ep on spains deephouse flagship deep explorer, he know brings more heat on cornuta accompanied by deep explorers dubbyman and his brother above smoke returning the favor on the remix tip. on the self-explaining >funkstart< and the percussive pressure-cooker >basic groove< w & p hugg gloriously displays his great ability to strip down his tracks to the addictive essences of deephouse without unnecessary gadgets or pointless tootling: pure irresistible grooves with classic funk basslines, vocal snippets and simple rhodes keys to warm the heart - straight up heat! dubbyman builds a completely new complex midpaced groove around funkstarts original chords , while above smoke drops the 4/4 drum altogether for a swinging broken beat mix with live bassline and nice jazz guitar licks. absolutely essential release

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

eigenlob stinkt, also schnell die wäscheklammer auf die nase. wir haben immer schon gewusst, dass matias aguayo ein jahrhunderttalent ist. seit seinen ersten gehversuchen mit michael mayer als zimt oder später mit dirk leyers als closer musik und mit marcus rossknecht als broke und vor allem auch solo weiss matias immer wieder zu Überraschen. seine dj-/live-sets gelten von buenos aires Über paris bis köln als legendär und: visionär! nach seinem tongue-in-cheek sommerhit minimal lag matias jedoch nicht auf der faulen haut, sondern hat mal eben en passant eine der inspiriertesten techno eps der jüngeren geschichte aus dem hut gezaubert. der titeltrack walter neff ist ein gnadenloser poptechno-ohrwurm und dancefloor-destroyer zugleich. der teufel muss ihm diese bassline verraten haben! one for the ladies... bei rebolledo style schraubt matias das drecklevel kräftig hoch und serviert einen hochenergetischen chicago-meets-baile-funk-meets-pianohouse-slammer. dann rundet matias die platte mit einem weiteren ausnahmetrack ab, carter msp. die bassline ist schlichtweg krank, dabei aber unglaublich sexy und uplifting. ernsthaft, alle drei tracks sind derart brilliant, dass man sich fragt, warum fast alle anderen platten im vergleich mit der walter neff ep so Öde sind? so, jetzt könnt ihr die wäscheklammer wieder abnehmen.

discovered by ben watt in 2003, chris woodward was quickly snapped up by buzzin fly and has been a key resident ever since his style is deep house with plenty of funk, bassline and melody in equal parts - he never fails to draw the crowd onto the dancefloor. support from ben watt on his kiss fm radio show

they dont come very often but releases on shack music are always well worth the wait. label boss soy mustafa and alex cellar (cocoon) combine under their kemistry moniker which you will know well for their superb releases on ben watts ultra cool buzzin fly imprint. head noddin house music with throbbing acidic bassline on the flip lifted by delightful dubbed out piano, this is a must have for anyone even vaguely serious about hi-tech house

the wonky bassline of mr oizo lives on into 2009 and the scenes biggest player calvertron is back to burn after destroying dancefloors with his recent data smash. this one lifts apache drum break to good effect and dirty freek handles the remix with a highly effective assault on the dancefloor that whips up a frenzy here we have a record to warm up the long winter, yet more proof that the freeks most definately come out at night

the first twelve from johannes volk gained support keith worthy, mike huckaby, mills, etc. on this second release johannes drops a mighty techno stomper called internal structure reminiscent of some classic robert hood productions from way back. inspired by a severe an damaging tornado storm in volk?s hometown, this incredibly good, yet frantic piece of dance music is build from layer upon layer: static beats, grooving bassline, sweeping synths and a warm rhodes-esque sound make this a apocalyptic but colourful banger. on the flip we have gerd bringing home the potatoes for sure. his take on volk?s internal structure is a mighty acid stomper reminiscent of those warehouse parties, yet it is done in a very contemporary way. check!

the biggest bassline tune around at the moment, this comes complete with a remix from one of the scenes hottest property, wittyboy. heavyweight support already in from shaun banger scott choice fms hotsteppa, ez on kiss & the 1 extra boys dj q & cameo. in fact, cameo describes it as one of the strongest tracks from past 3 months, and he should know this is laaarge!

back with another of their much loved eps - the knee deep guys dig deep to satisfy your dancefloors yet again courtesy of the french love ep. kicking off with >all night< a charged up bullet with hooky vocal loop and infectious synthy lick, >vibin< is exactly that - a stabby low end bassline powers on alongside the sweet warming melody whilst the whole groove builds and builds leading to the chant-fuelled breakdown. rounding things off, >sweet love< has that epic crowd pleasing vibe you will have come to expect from the kd guys… again its simplicity at its best using a hooky riff throughout, and allowing the groove to shine. a power-packed ep in 3 different flavours

this one is a killer! spiros kaloumenos hits the fresh special series off on the a-side with two very strong tribal influenced techno tracks. the funk driven a1 surely knocks you out! very heavy on percussion making this a peaktime tool not to be taken lightely. with overdrive spiros takes you to detroit, the groovy stabs and phat phunked beats make this track a clear prime time banger, one that simply cant be missed! on the flip we find dj shee-la with two hot deep n dark techno rollers. raw bassline driven frantic breath and bummed out are proving that chicks can rock hard indeed! be sure to keep an eye out on her next releases!

perc trax returns with its 2nd in the pots & pans series, this time around with tracks from misc (sender / klang / resopal), simone tavazzi (analytictrail/perc trax) and oscar (karateklub / lordag). ruling over the a-side are german techno overlords misc, who when not recording for berlins sender imprint spend their time as niederflur for richie hawtins all conquering m_nus. >modern times< is build on rolling ercussion grooves, a jabbing bassline and a number of short but effective breaks.

in the huge world of >various artists< this is the one you will absolutely remember ! on the side a pizeta is the track of this ep. a melody you cant surely forget and will make you dance. in the jungle of ethno-folk, it s the massive one! a great clarinet theme is followed by tech house minimal rhythm and a nice bassline. on the side b1 we have the promising producer federico grazzini who is known for his last ep on >aloe< played by all the big names of the moment. for this ep he delivers another dancefloor bomb. already played by marco carola at dc10 this summer. the b2 is a real b2, more deep and good for the warm up. arnaud le texier (safari electronique) & emmanuel ternois (children of tomorrow) close this ep with a sensual deep house modern.

after the big success of our first release on outils du connaisseur, we present the second strike, this time by afrilounge-member liapin. basila is his the first solo release, and all the more an impressive one: two deep and slamming house-tunes, basic but concurrently fond of nitty-gritty. according our outils philosophy these two tracks are genuine strippeddown house cuts for maximum floor impact. basila – a massive, slapping bass, rolling drums and shreds of guitar sounds are the dominating trademarks of this track. once the compelling groove catches you, the hypnotizing vocal in the break will inevitably bewitch you. this is one for both body and soul. black mamba features a bassline so corporal, you almost inclined to give it a social security number.

an electro tinged hooky bassline and an anthemic breakdown that takes you into a memorable vocal makes this another c.p banger destined to rock the global dancefloors.

not a lot is known about who is behind the amplified orchestra moniker, although there is a chicago address stamped on the vinyl. cosmic slope is a spacey number, with bubbly basslines and a full retro synth workout to challenge the likes of moroder and co. it has a great cosmic vibe to it, with some lovely sounding synth solos and a bubbling bassline. the title track, on the flip, fun thing is a sick acid work out with a mean and aggressive 303 bassline, housey stabs, cool strings, superb sy

played by: jennifer cardini, ivan smagghe, laurent garnier, dj hell, kiki, karotte... hocheffektiver partysound einer neuentdeckung aus der türkei, basierend auf einem geloopten vocalsample, einer knackigen bassline und gewitzten breaks. full customer satisfaction. auch im remix von sergio munoz

a hefty pounding bassline with seductive r&b vocal hook keeps the grooves steady while you get plenty of dells trademark dubby drops in to measure for the tech heads. flip it for the mighty dub version and there you have it.

liverpool based raw recordings steps up with some extreme bassline pressure from dj target, a man whose productions have been causing waves in the drum & bass underground for a little while now. nows your chance to grab some fresh meat from a hot new talent, and when your crowd calls for the rewind, you ll know who to thank.

dennis ferrers the world as i see it album is still being listened to and its tracks are still being played, hence the remixes are gonna keep on comin… one of the most memorable tunes from the album, run free, is seeing remixes by 2 very distinct and quality remixers oddly found at opposite ends of the earth. uks sean mccabe debuts his talent for king street after having had past remixes and productions released on soulfuric deep, fluential, device, soundmen on wax, tony records and more. his chunky beat-filled interpretation of this single has a tough enough bass drum and nice enough funky key jabs as to keep the great energy flowing but not overpower the song. japanese-nyc transplant producer tomo experience grooves and soothes the eardrum. his easy kicks and lightly bouncing bassline puts a nice spin on this tune, all the while kt brooks (r.i.p.) fervent vocal laying atop the 2 re-product ions. check out these cool remixes for great measure and greater flow.

quentin harris remixes megaselling alternative rock band for house floors adding a super nasty electro bassline and punchy beats.

the second release of audio parish records comes from men in trees. men in trees is a new producer/dj- duo from germany. they provide us with with percussive and groovy house tunes. the first ep comes as a 2-tracker. >rita cala prada< on the flip starts with a massive groove, with pretty good drums and a crazy dialogue between three spanish people. than the track is growing up with a deep male vocal. >planet calypso< impresses with crunchy percussion and an uplifting bassline. funky horns and jazzy trompets filled this track with a balearic feeling… welcome to planet calypso! this is an ep with two funky tribal tracks that makes you curious.

todd bodine demonstrates with this ep once again extraordenary taste and skills. after a very successfull excursion on claude van strokes mothership label and his activities as a heavily booked live-act and dj he presents on >unexpected life-form< two brilliant tracks, that seem to burst with their energy. todd bodine apparently has gained a lot of experience how to bunch the impact on both the dancefloor and the musical side and how to turn the result into a wall of sound. and hes doing it by following his own unique style. on the a-side >calypso< captivates you right after a few seconds with its pulsating sequences and a subtle growing energy-level from break to break. developing a drive which wont miss its impact on any floor. >snakeskin< on the flip is homogeneously build around shimmering melody-sequences which create the energy of this track, while the bassline below pulsates warm and deep. sounds like: detroit without kitsch. or like a cross between matthew johnson, robert hood and fabrice lig. to put it in other words: a typical todd bodine release in the best sense. allready a true highlight in the highgradecatalogue in 20

kann 01 comes out with a beautiful 3 track artist-12 from sevensol & bender. >live at coliseum< is a upbuilding deephouse track rounded by tight rhythm, a punchin bassline and a surprising heartbreakin vocal in the middle of the track. the b-side includes a solid detroitish housetrack called >ellen barkin< and with >ait< a rainy downtempo krauthouse killer

steffen baumann & stefan hollaender got the inspiration for that track from the shant of an unknown shaman. the hypnotic vocals and the massiv bassline make the track to an bomb somewhere between deep-house & tech-house. the >taste t meets wishes & dreams remix< on has much more progressiv-house elements. the bassline of the original tracks is picked up by a warm but also pumping synth line. the track is released on a 10 inch record.

emo-techhouse at its best! sanjam is the croatian meaning for im dreaming, and thats exactly what this track is about. warm synths are surrounded by housy chords and a deep bassline. girl with a smile is pure oldschool, initiated through dubby feelings and hypnotic beats. you will see the girls smile on the dancefloor for sure.

after the success of the last cirez d release on jel fords jericho label we now have a perfect follow up from another top swedish producer - joel mull. joel has been firmly established on the scene for over 10 years now but lately has been doing some amazing projects for labels such as audiomatique, saved and cocoon. here he delivers the perfect jericho two tracker with the a side - viewpoint having a supremely funky bassline, lush chords and catchy hooks .